December's Featured Theatre: Hull Truck

Hull Truck's journey...

Hull Truck Theatre truly started from the grassroots when actor-musician Mike Bradwell, unable to find work, founded the theatre company in 1971. He placed an advertisement in Time Out magazine, which read, "Half-formed theatre company seeks other half." 

It started as a touring company working out of a truck, hence its name. Its first production, Children of the Lost Planet, played to meagre audiences, as did the next, Last of the Great Love Goddesses.

Hull Truck began touring from its Coltman Street location in Hull, where the company members lived and practiced, and soon gained recognition for its children's productions. It was at the same time devising shows that were being performed in working men's clubs and as late-night cabaret. 

Bradwell, who insisted that all the actors play musical instruments, described the approach as "provocative and challenging, but above all, entertaining." 

Music was at the heart of their work, along with an underlying sense of anarchy. 

At first, Hull Truck only produced experimental, low-budget, and widely ignored work. Bradwell envisioned a touring group of actors with a political purpose, much like the idealistic theatre companies of the early 1970s, such as Red Ladder. However, he quickly realised that audiences weren't interested in spontaneous plays about poor hippies. At least not in Hull. 

Quoted in the Guardian by Alfred Hickling in 2001, Bradwell said, "I chose Hull because it seemed the least likely place in the universe to start an experimental theatre company… Also because it was cheap. We were a bunch of ex-students living in an appalling squat in Coltman Street, near the trawler docks. Our office was the phone-box down the road. The house was infested with mice, and it was so cold that we rehearsed our first production under a bivouac of blankets rigged up around a paraffin stove. Basically, we were improvising plays about the difficulty of being ourselves." 

The company's initial, improvised attempts failed so badly that they had to resort to their chaotic children's shows, which they performed at birthday parties in the suburbs and even, once, in a nun's garage at an orphanage. The attention garnered by the children's performance almost eclipsed the company's primary focus, and Bradwell's demand that all actors play instruments led Hull Truck to gain more engagements as a rock band than as a presenter of experimental theatre. 

In 1974, Bradwell decided it was time to leave the hippy themes behind and show Hull Truck's ability to create a play about policemen and vicars. This marked a turning point. 

The Knowledge debuted at Manchester's Forum Theatre, initially playing to 50 people, but only 22 remained by the finale. The management cancelled the play, but Robin Thornber, a reviewer for the Guardian, opposed the woman who yelled, "Tripe!" His praise was enough to attract the interest of the Bush Theatre, which became the metropolitan home for every piece of work subsequently produced by Hull Truck. 

Hull Truck in Spring Street

In 1970, Alan Plater, a playwright from Hull, helped establish a Humberside Theatre Space. This small theatre, which could seat 150 people, was once St. Stephen's Methodist Church Hall, initially known as The Hull Arts Centre, which hosted various theatre companies, including Hull Truck. The theatre became Spring Street Theatre, which shut down in 1981. 

After the Spring Street Theatre closure, the Hull Truck Company took up residence there in April 1983, and the theatre became the Hull Truck Theatre. 

John Godber became artistic director in 1984. A post he held for twenty five years.

He told the Guardian in 2001, "I was making a good living as a teacher…I'd also begun contributing episodes to Brookside and Grange Hill. Why would I want to ditch that and take over the running of a theatre company, for which I had no qualifications or experience?" 

It was the lure of full-time writing that eventually persuaded Godber to make the jump, but when he turned up to his first board meeting, he discovered things had not been going well in Bradwell's absence, and that the company was insolvent. "No one mentioned that at the interview. I had to fall back on the only thing I knew… which was to take the kind of plays that had been successful with the kids at school and make them work in a professional context." 

His first effort was September in the Rain, set in a mining community. "The onus was to come up with something outrageously popular, just to survive," says Godber. "That's what made me first think of rugby league. I figured that if you couldn't pull in an audience in Hull for a play about rugby league, you didn't deserve to succeed." 

Up'n'Under exceeded all expectations. On the basis of a six-night run at London's tiny Donmar Warehouse, the company walked away with the 1984 Laurence Olivier Comedy of the Year Award. 

The following year saw Bouncers nominated for the same award. "All I can say now is, thank god it didn't win," says Godber. "I'd never have escaped that upfront, aggressive, physical style. I'd never have applied myself to learning the craft. In fact I'm still trying to learn it now." 

Bouncers became one of Hull Truck's most performed and famous plays and, twenty-five years after its first production, was the last play to be performed before moving to a new venue in Ferensway.     

Spring Street Theatre, Hull, was the company's base for 26 years, surrounding Hull Truck with barbed wire and broken bottles… opposite the city morgue, and part of an industrial maze behind the railway station. It was perhaps the least likely place to find a thriving theatre, but Hull Truck is one of British theatre's least likely success stories. 

A new home in Ferensway

 The year 2006 saw the beginning of the project to build a new theatre in Ferensway, Hull, which would accommodate 440 people. 

The Hull Truck Company commissioned the theatre, which was financed by the Arts Council, Hull City Council, and the European Regional Development Fund; it was finished three years later at an approximate cost of £15 million. 

Funny Turns, a play by Godber, premiered on April 25th, 2009. 

Following a review of Hull Truck's management in 2010, Paul Marshall became operations director, and Andrew Smaje was named chief executive, a new role created to expand the theatre's offerings and attract new attendees.

Smaje began his position that October, after previously spending ten years at the Theatre Royal in Bath. Andrew Smaje took over Hull Truck at a challenging time. Financial challenges marked Hull Truck Theatre, including a significant funding shortfall and a public appeal for funds. 

While he aimed to build audience numbers through high-quality productions, his tenure coincided with a £500,000 funding shortfall, leading to a public appeal for donations from audiences, businesses, and individuals to ensure the theatre's survival. 

The theatre struggled to adapt to its new, larger venue and a decrease in public funding, suggesting a mixed but challenging period. Including John Godber leaving after 25 years with the theatre. "I wouldn't want to leave here," Godber had said in a 2001 interview in the Guardian. "Why should I? It's where I've been inspired to do my best work, and I believe there are better plays still inside me." Nevertheless, under Smaje's tenure, he left. 

Sometimes described as controversial, Smaje acknowledged that the theatre needed to develop its audience base to fill the seats in the new, larger venue and was focused on creating high-quality work to achieve this. The theatre had to reduce ticket prices and seek extra donations to help mitigate the financial pressure during his two-year tenure.

 40th anniversary celebrations

 In 2012, Hull Truck Theatre celebrated its 40th year and founder Mike Bradwell, who had led the Bush Theatre as Artistic Director between 1996 and 2007, returned, after three decades, to Hull Truck. 

To mark the company's four decades, he shared some scenes from the initial Hull Truck performances, along with other original Truckers who were performers back in the 1970's. He directed the premiere of Tim Fountain's Queen of the Nile. 

Also in 2013 Mark Babych was appointed artistic director of the company, and his tenure has marked a thirteen-year period of growth and award-winning recognition for Hull Truck. 

Recognition included a nomination for The Renee Stepham Award, which recognises the finest touring theatre presentation. Best Visiting Production at the Manchester Theatre Awards in January 2013. Winning Welcome to Yorkshire White Rose Awards' Arts and Culture award in 2015, 2017 and 2019. The same year Hull Truck also took home the Silver Award for Accessible and Inclusive Tourism.

 Hull was the UK City of Culture in 2017. Hull Truck Theatre delivered its 'Year of Exceptional Drama programme' for Hull UK City of Culture 2017, working with partners including the Royal Shakespeare Company, Northern Broadsides and the Market Theatre of Johannesburg. 

Of course some controversy too. In May 2018, the company hit the headlines when a local affiliated artist cancelled their production of Ununited Kingdom. The play dealt with far-right issues. Originally called "The Bold Knights of Britain," the play was retitled The Ununited Kingdom by its producer, Silent Uproar Theatre Company, and was withdrawn by the Hull Truck Theatre after cast members protested it was racist. 

Several actors withdrew from the production, claiming the play was racist and contained racial stereotypes. The theatre pulled the production after two performances. A planned run in London was also cancelled following the controversy. The play was intended as a political satire that explored themes of British identity and was intended to shine a light on the rise of the far right in Britain, by focusing on a teenage girl who joins a gang with racist tendencies. 

Like all arts organisations, Hull Truck Theatre navigated the challenges of the COVID-19 pandemic, with the period from 2021 onward seeing a return to live performances and in May 2025, the theatre launched the Mike Bradwell Fund, aiming to support new and emerging talent in line with its founding principles of championing new voices. 

The theatre has continued to produce a range of shows, including a mix of new writing and classic plays, with a strong emphasis on holiday and Christmas productions that have been popular with audiences. 

The theatre continues to draw on its history and the work of past directors and writers, including John Godber, and remains known for its distinctive style of storytelling.

 Fifty Five years ago it had no home and next to no audience. Now Hull Truck is a national institution, responsible for some of Britain's best-loved plays. 

As we head towards 2026, its's creative team, continue to guide Hull truck to greater things.

The team includes...

 Tom Saunders Associate Director at Hull Truck Theatre with a passion for making new work with professionals and with children, young people and the community. Making theatre that is, visually bold, fun, and contemporary. Passionate about creative learning, community engagement and talent development.

 Tom leads the community team who work with young people to ACT III Group for retired adults. Also, this team works to connect communities with theatre who may not see theatre being for them, and also have played a huge part in making Hull Truck a theatre of sanctuary. 

Producer and programmer, Luke Dankoff developing and encouraging local community and actors in the work that Hull Truck put and host on its stages and spaces. 

Mark Babych has been the Artistic Director at Hull Truck Theatre since he was appointed in April 2013, making his tenure over 12 years long. He joined the company on a permanent basis on May 6, 2013, succeeding Andrew Smaje.

When first appointed he said, "I'm really thrilled to be joining Hull Truck – this is a fantastic opportunity to build on the illustrious history and traditions of this wonderful company and make work that forges deep connections with audiences in Hull, welcomes creativity and collaboration and encourages and nurtures the development of talent and the new generation of writers and artists who will shape the future of our work – welcoming artists and audiences alike in creating a vibrant, meaningful and exciting artistic future for this gem of a theatre." 

Mark Babych has certainly achieved that in his twelve year tenure. 

"All Hull Truck has ever hoped for is a level playing field," said John Godber, in 2001 "It seems as if we've been consistently playing uphill, against the rain, and still coming away with a 2-1 win."

It's a Yorkshire win and Hull Truck is today one of England's leading theatres, a wonderful Yorkshire Institution. 

The Little Mermaid at Hull Truck Theatre...

 From the team that brought you Rapunzel, Princess and The Frog and Jack, Mum & The Beanstalk this is a heart-warming, action packed adventure full of songs, games and audience interaction. 

Designed especially for children aged 3 - 6 and their families, this production laced with festive frivolity, will see Coral, a friendly, fun and inquisitive little mermaid go on a journey of self-discovery – helped along the way by her old pal Finn the fish and new-found friend, Charlie – a human from the world above the waves. 

Coral (The Little Mermaid) will be played by Elizabeth Green who trained at ALRA and Rose Bruford. Alex Fairweather will play the roles of Charlie and the Sea Witch. Alex is a local actor from Hull, and a graduate of Mountview Academy of Theatre Arts. 

Tom Saunders, Writer and Director of The Little Mermaid, and Associate Director at Hull Truck Theatre, said: “Our studio Christmas production this year is going to be magical! I can’t wait for audiences to see our amazing set and puppets, hear the beautiful songs and meet our fantastic cast. I really hope families come away from the theatre, as they do every year, full of festive cheer and having had a gorgeous time.” 

All performances have a laid-back attitude to noise and movement in the theatre space. There will also be a British Sign Language (BSL) performance taking place on Saturday 20 December at 1.15pm. 

Tickets for The Little Mermaid are now on sale via the Hull Truck Theatre website here: or by calling the Box Office on 01482 323638.

Oliver Twist, a classic for Christmas

This dramatic and highly theatrical adaptation by Deborah McAndrew, brimming with songs, dances, familiar carols, folk melodies, and original compositions, is back at Hull Truck Theatre for another captivating and enchanting production. Plus, it's the perfect family activity during the holiday season.

 The story follows Oliver, a young boy born into a life of poverty, raised in a workhouse and sold into an apprenticeship. He runs away to London, where he is befriended by the charismatic Artful Dodger. The Dodger brings him into Fagin's group, which comprises pickpockets and thieves.

 After sinking into the grimy criminal underworld, Oliver is presented with an opportunity to change his fate… but will he finally find a loving family and a place to call home? 

This production of Oliver Twist remains true to the spirit and language of Charles Dickens' original 19th-century text, reflecting the social conditions and attitudes of that time period. The story includes themes of poverty, crime, child exploitation, and abuse, which are presented with sensitivity and historical authenticity. The perfect alternative to pantomime over the holidays, magically captivating audiences of all ages. 

A 19-strong young company of performers cast from Hull Truck's Youth Theatre and other local performing arts groups will support the professional cast. Sophia Pike and Vivienne Rowland will share the role of Oliver Twist, and Eve McDonald and Zach Robinson will share the role of Dodger. 

 Bill Sikes, another villainous character is played by Christopher D.Hunt, who will also perform the role of Policeman. 

Mr Sowerberry, the undertaker, will be performed by William Relton and Mrs Sowerberry, his wife, by Alison Fitzjohn. William will also play Mr Brownlow and Alison will also play Widow Corney and Mrs Bedwin.

 Mr Bumble, the beadle in the parish workhouse where Oliver was born, will be played by Andrew Whitehead as well as the characters Justice Fang, Mr Grimwig and Officer. Jessica Jolleys will perform the roles of Agnes, Charlotte, Bet and Rose. Robyn McIntyre will play Ensemble and Swing cover roles.

 Tickets for Oliver Twist are available now and can be purchased via www.hulltruck.co.uk or by calling the Box Office on 01482 323638. 

Recommended age guidance: 7+. A variety of access performances are also available including a 'Baby Friendly' performance on Friday 5 Dec at 11am.

Hull Truck Theatre, offering Royal Shakespeare Company Associate School Programme. 

In Partnership with Brough Primary School and St George's primary School

But be quick- closing date Monday 15th December

Hull Truck Theatre is offering a program that will enable the "Associate Schools" network to participate in diverse activities specifically created to improve primary school students' understanding of Shakespeare.

Inviting 10-15 primary schools from Hull, East Riding of Yorkshire and North East Lincolnshire to be a part of a unique opportunity! This is a two-year project, starting in January 2026 and spanning two academic years.

 The programme will see classroom teachers transformed and empowered using real life RSC rehearsal room techniques. These approaches are proven to assist students of diverse backgrounds in developing a love for language, thus facilitating their ability to provide complex verbal and written analytical responses. 

Teachers will have the chance to attend training days and meetings across the two-year term to support them in using the techniques learnt, as well as the opportunity for students to present what they have learned at a cumulative performance event at Hull Truck Theatre. Tom Saunders, Associate Director at Hull Truck Theatre said, "We're delighted to once again play our part in this fantastic project. It's a wonderful opportunity for local schools to get involved in a truly special national initiative. Shakespeare offers such a rich tapestry of plots, characters, and language, and we've seen first-hand how this project can not only reshape a school's approach to reading and writing, but also positively transform pupils' attitudes toward learning."

 "At Hull Truck Theatre, we're passionate about connecting our local communities with the arts and encouraging young people to explore all kinds of theatre from an early age. This initiative offers an exciting chance to dive into the world of Shakespeare and build valuable skills in language, drama, and literacy along the way." 

During the school year, Associate Schools' staff and students will engage in various activities aimed at enhancing teachers' classroom methods and cultivating pupils' appreciation for Shakespeare. 

Throughout the year, teachers will have access to training sessions and meetings to help them implement the new techniques, and students will have the chance to showcase their learning at a performance at Hull Truck Theatre. A Hull Truck Theatre drama practitioner will visit their school twice to offer support in rehearsals for the final performance event. 

The project improves confidence, develops language ability, and allows students to express themselves and their ideas more clearly. It also encourages a positive attitude to school and learning. Helen Shepherdson, Headteacher at Brough Primary School, said, "Becoming an Associate School has revolutionised our approach to teaching. It hasn't just transformed how we deliver English across the school – it has played a vital role in building pupils' self-confidence, resilience, and self-belief: essential life skills for every child. As our school motto reminds us, 'Learning is a journey, not a destination' – a sentiment that truly reflects our experience as part of the Associate Schools Programme." 

Mrs Gabrielle Fox Teacher at St. George's Primary School said,"Our partnership with the RSC and Hull Truck Theatre has been truly transformative for the children at St George's. It has opened up new spaces for creative expression, nurturing confidence and resilience in ways we hadn't seen before. We are proud to be part of the Associate Schools Programme and greatly value the expertise and inspiration it brings to our school community." 

There are currently 10 - 15 places available. The financial investment is £450 + VAT per school, per academic year. Places are expected to fill up quickly, so interested parties are encouraged to sign-up as soon as possible to secure their place. 

To apply to take part in this fantastic opportunity, please download the expression of interest form here and return to engagement@hulltruck.co.uk by Monday 15 December, 9am. Key dates document also available as a download if required. Click here. 

To find out more about Hull Truck Theatre's work with schools and educational partnerships, please visit: www.hulltruck.co.uk/get-involved/schools/ NB: There are only 10-15 places available, and they're expected to be taken quickly.

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